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Digital Recording Wireless
Bodypack Transmitters
TRXLA5
ZMT4
ZMT4-X
Boom Transmitters
TRX745
ZMT4
Camera Link Transmitters
TRXCL5 Camera Link
Specialty Transmitters
TRXFB3
ZMT4-Flex
ZMT4-HM
2.4 GHz IFB Audio / ZaxNet
ERX3TCD
IFB300
Stand-alone Receivers
QRX200
QRX235
RX200
MRX Module Receivers
MRX214
MRX414
MRX Module Interfaces
RX-12
RX-12R
RX-4
RX-8
UHF IFB Audio Receivers
URX100
URX50
VHF IFB Audio Receiver
VRX1
Hardware Accessories
BlueFin 2 Antenna
BlueFin Antenna
FDP2 Filter Antenna
MicPlexer 2
NP-50 Pro Battery
Software Accessories
Zaxcom GUI Bridge (ZGB)
ZaxConvert
Mixers & Recorders
Deva 24
Nomad
Nova
Nova 2
Control Surfaces
Aria
Mix-16
Nomad Touch
Nova FP7
Nova Touch
Oasis
Miniature Recorders
ZFR300
ZFR400
Product Features
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Events
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Stories
Sound Mixer Aj Butterworth Travels the World with Zaxcom
“OceanXplorers” Sound Team Sets Sail with Zaxcom
Production Mixer Jake Whitelee on Recording the Emmy Nominated Series “Baby Reindeer”
“Bad Boys: Ride or Die” Production Mixer Whit Norris Takes Zaxcom on a Wild Ride
Sound Mixer Noel Dannemiller Hits a Hole in One with Zaxcom
“Oppenheimer” Sound Mixer Willie Burton Records the Sonic Thunder of Nolan’s Biopic
Fernando Delgado Dials In the Aural Flavor of Gordon Ramsay’s “Kitchen Nightmares”
Production Sound Mixer Geoff Gann on Recording the Viral Videos of MrBeast
How the “Outlast” Sound Team Braved Alaska to Capture Pristine Audio
Production Sound Mixer Mark LeBlanc Sinks his Teeth into Recording AMC’s “Interview with the Vampire”
Jimmy Hamilton & Zaxcom In The Wild With “Boy to Man”
The Hobbit: A Production Sound Perspective
Kelsey Wood on Set Challenges and ZaxNet
Joel Jameson Prefers Zaxcom’s Wireless Simultaneous Recording
A Look at the Zaxcom TRX742 Plug-On Transmitter
How Jan Mclaughlin Tracks Showtime’s “Nurse Jackie”
NAB 2013 Interview from Sound & Picture
Billy Sarokin uses ZaxNet to Improve Workflow
Joe Pfeil Records “Treehouse Masters” with Nomad
Trew Audio And Zaxcom Team Up With USC Film School
How the Zaxcom TRX900CL Makes Jeff Edrich’s Work Easier